Movie About a Married Couple Falling in Love Again
The Disappearance of Eleanor Rigby is about a couple, but it isn't necessarily a love story: Eleanor (Jessica Chastain) and Conor (James McAvoy) are happily married until a tragic event shakes them and separates them. It'southward no Blue Valentine, only information technology'southward no The Notebook either—the motion picture depicts ii people united by marriage and trauma dealing with their grief in very different ways.
That plot solitary might non sound entirely intriguing at commencement glance, but director Ned Benson created 3 dissever films out of the story to create three dissimilar experiences. In that location's Them, which opens Friday and weaves together both Eleanor's and Conor's stories, then Her, a moving picture that focuses on Eleanor's perspective, and finally, Him, a movie that zones in on Conor'southward feel.
This film is ane of many that tell the story of a struggling relationship in an original mode—there's 2004'southward sci fi-tinged Eternal Sunshine of the Spotless Mind, for instance, and 2012's unsympathetic Take This Waltz. Hither's a list of ten of those films that stand out from the past x years.
Eternal Sunshine of the Spotless Mind (2004)
The couple: Clementine (Kate Winslet) and Joel (Jim Carrey)
Why information technology stands out: Eternal Sunshine doesn't shy abroad from the impossible: After Clementine and Joel'due south relationship ends desperately, they both seek out a firm that promises to wipe their retentivity of the times they spent together. And it works. Their story isn't told in chronological guild—in fact, the movie begins with Clementine and Joel meeting for the commencement fourth dimension the second time and goes on to detail their time together, from their human relationship's initial ecstasy to its ultimately debilitating downfalls. This style introduces the viewer to the chaos of their relationship and leads to the question: How much do we really desire to forget?
Brokeback Mountain (2005)
The couple: Jack (Jake Gyllenhaal) and Ennis (Heath Ledger)
Why it stands out: Jack and Ennis' story is one that proves love isn't always enough. After becoming romantically involved on a piece of work trip, the ii separate and go on to ally women and have children. Merely more than their own lives keeping them autonomously, their own feelings are working against them: Both men have been taught from a immature age that homosexuality is a sin, so their love is tinged with guilt and tragedy, taking the historic period-one-time tale of forbidden love to a heartbreaking new level.
After the indie movement seemed to have stalled, Derek Cianfrance brought this portrait of a decaying marriage to the festival featuring indie darlings Ryan Gosling and Michelle Williams. Blueish Valentine was so honest, so emotionally raw, then "indie," that even its fans had to question whether information technology had any hazard in the modern marketplace. The Weinstein Company picked it up at the stop of the festival, shepherded it through its NC-17 battles with the MPAA, and landed Williams an Oscar nomination. —Jeff Labrecque
| Credit: Davi Russo
Bluish Valentine (2010)
The couple: Cindy (Michelle Williams) and Dean (Ryan Gosling)
Why it stands out: In most movies about a relationship falling autonomously, there's one chemical element that was the tipping point. Someone cheated, someone died. But in Blue Valentine, there's no ane thing that caused Cindy and Dean's relationship to deteriorate; there's no bespeak you can expect at and become, "that'southward where information technology all went incorrect." This makes watching the film fifty-fifty more painful, considering there's no way to know how to fix it if you don't know what the problem is.
Like Crazy (2011)
The couple: Anna (Felicity Jones) and Jacob (Anton Yelchin)
Why it stands out: Like Crazy starts equally any other romantic movie when Anna and Jacob meet, autumn in love, and go enraptured with one another. Merely when Anna is forced to go out the Us for her home of London, their relationship is repeatedly threatened past the throes of long distance and changing feelings. The moving picture often takes on the perspective that this couple volition succeed against all odds, until the realization hits that it's a very real possibility they might non. This transition from, "Look at the immature, cute couple!" to "Look at this on-over again, off-once again couple!" is jarring and in no way prepares you lot for the ending that, while non concretely happy nor sad, offers anything just a resolution.
"I went to meet Take This Waltz alone, and I idea Michelle Williams' grapheme was deeply relatable and elementary, all the same night. It was the saddest! I love when a moving picture takes something so mundane, like the challenges of everyday life with some other person, and makes it into the most emotional wrecking ball of a affair. Sarah Polley has such amazing craft every bit a filmmaker."
| Credit: Michael Gibson
Take This Flit (2012)
The couple: Lou (Seth Rogen) and Margot (Michelle Williams)
Why it stands out: When one-half of a couple goes off to be with someone else, information technology's usually because their current significant other is seriously lacking. In these situations, y'all sympathize with the i who's leaving. He sucks, you lot say, I'd get out him also! But in Take This Waltz, Lou isn't and then bad—sure, he focuses on his chicken more than his wife sometimes, but all in all, they accept a pretty sweet human relationship. And so when Margot leaves Lou for Daniel (Luke Kirby), it's an acknowledgement that sometimes people are only driven abroad past the promise of something new. Simply as a wise older adult female says in the motion-picture show, "New things go old," and Margot isn't invincible to that truth. What ordinarily would be a sympathetic character becomes a flawed 1, ultimately portraying a realistic portrait of relationships—and humans in full general.
Age: 85 Role: Anne, a proud former piano instructor dwindling into dotage and dependency nether the care of her married man, Georges (Jean-Louis Trintignant). Oscar History: With her first nomination, Riva becomes the oldest All-time Extra contender in Academy history. Amour at First Sight: Though both Riva and Trintignant have worked in the French film industry for more one-half a century — and each starred in one of the films in Krzysztof Kieslowski's famed Three Colors trilogy — the two actors had never worked together earlier Amour. But Riva knew immediately that the casting would work perfectly. "When I read the script knowing Jean-Louis would be Georges," she says, "I believed in the couple. I could see us in my caput. And then when we started working, we didn't have to accept known each other in order to immediately have that intimacy." And so and Now: Riva is probably best known for her part in Hiroshima Monday Amour, Alain Resnais' 1959 cinematic tone poem nearly beloved and loss amid the ruins of post-WWII Japan, and the extra sees parallels betwixt the films on reverse ends of her storied career. "On ane side there's Hiroshima, a film about impossible love," Riva says. "And on the other side, in the concluding stage of my life, there's a film about a dearest that's possible until death. It'southward a wonderful balance." Up Adjacent: The actress has yet to announce her next project. —Keith Staskiewicz
Flirtation (2012)
The couple: Anne (Emmanuelle Riva) and Georges (Jean-Louis Trintignant)
Why information technology stands out: We all at one bespeak go old, yet despite that fact, information technology's something rarely focused on in films—particularly romantic films. Only Anne and Georges' historic period is what makes Amour special. The moving-picture show doesn't try to gloss over the hardships that sometimes come with growing old, and instead paints a picture of a couple who, despite their lasting love for ane some other, simply cannot figure out how to sustain their relationship with their ongoing physical and emotional challenges.
Earlier Midnight (2013)
The couple: Céline (Julie Delpy) and Jesse (Ethan Hawke)
Why it stands out: Earlier Midnight is in the third in a trilogy of films following this couple, and it addresses the harder parts of relationships by putting Céline and Jesse in a hotel room at movie's stop to fight information technology all out. The moving-picture show doesn't shy away from the uncomfortable, and watching the ii yell seemingly unforgivable things at each other is almost unbearably tense, effectively mirroring the feelings of really fighting.
Blue is the Warmest Color (2013)
The couple: Emma (Léa Seydoux) and Adèle (Adèle Exarchopoulos)
Why it stands out: Blue is the Warmest Color doesn't just tell you the story of Emma and Adèle; information technology forces y'all into their globe. This immersion makes the flick instantly memorable as one not simply about a relationship but every bit ane diving into a relationship and the subtleties of it, the parts that ofttimes get disregarded in movies in favor of drama and prove. This lone would exist noteworthy, but Blue also breaks boundaries by depicting a female person-female romance, a pairing non ofttimes shown in movies and especially movies of this stature—it won the Palme d'Or at 2013's Cannes Festival.
THE 1 I LOVE Mark Duplass and Elisabeth Moss
The I I Love (2014)
The couple: Ethan (Marker Duplass) and Sophie (Elisabeth Moss)
Why it stands out: Commencement off, it'due south weird. Really weird. Without spoiling the film's big twist, Ethan and Sophie aren't getting along because they don't necessarily like who the other has go. And although it's nigh a struggling marriage, The One I Beloved isn't exactly depressing—if anything, you'll stop the moving picture with your eyes widened in surprise and a grin on your face.
Love is Strange (2014)
The couple: Ben (John Lithgow) and George (Alfred Molina)
Why it stands out: Ben and George have been happily together for decades, but they're forced to live apart once they legally ally thank you to money problems. Despite unpleasant circumstances the two run across, they never run out of beloved for each other. Outside forces won't permit them physically be together, only this doesn't tear them apart emotionally past any means—they rise above challenges and stay continued, proving that crushing circumstances don't always have to crush a human relationship.
Source: https://ew.com/article/2014/09/12/struggling-relationships-movies-eleanor-rigby/
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